Monday, January 3, 2011

Holding the fort... OR: Things I miss about art school

Been a hard day.

I didn't get a teaching I had interviewed for. A second place where I taught a class turns out not to have any openings this semester, though they hope I'll come sub. And a third job lurking in the horizon now seems highly unlikely to ever amount to anything.

I'm sitting in a noisy room surrounded by people, and feel my dream of a studio receding ever further into the mist. And as happen every time I get down, I get depressed over the fact that I have not been painting seriously in months. The ever present paradox: when we don't work, we have time, but no space, and little supplies.

Last year--with my full days of painting--seems more than just an ocean away.

To stop myself from getting too discouraged, I decided to make a list of some of the central elements I feel I got from school (other than the oh-so-desired-workspace), so that I can find ways to try to maintain them. This will also satisfy my inner-editor, who has been twitching in the back of my mind, complaining that blogging is disorderly, lacks structure, and encourages my mind to float in every direction. A compromise between my need to overflow in every direction, and the answering desire for order. Let's think of it as a kind of table-of-contents for the blog.

The missing components of art school:
  • A consistent work environment
  • A time structure--with deadlines.
  • An artist community or people with whom to talk, from whom I could get feedback, and from whom I could be inspired.
  • Learning to think about art. My initial training was in a rather anti-intellectual environment, where the focus was on technique, on continuous work, rather than the philosophical underpinnings of art, or the meta-poetic elements--the study of art as a language. I was surprised how much the academic element of the MFA enriched my world.
  • Looking at art. Sometimes the greatest part of the New York Studio School was that it was in NY. I went around the galleries and museums at least once a week, and the sheer practice of looking is sometimes the greatest push power there is.
To be replaced....

2 comments:

  1. Hey,
    What about renting a studio in an artist community? Then you get a studio and a community! I have a space to paint, but I am missing the community portion. But I am working on it! Don't feel bad about not painting! I've accepted the fact that I paint sporadically for now.

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  2. An artist community would be perfect, if I could find one! The prices in areas of Jerusalem with a lot of artist--Nahlaot and Talpiot--have gotten quite high.
    I am looking though!
    And thanks for the support. It is important to remember that we all have down periods.
    Where is your studio?

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